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Is kesha still dating baby spoon

While licensed courtesans existed to meet men's sexual needs, machi geisha carved out a separate niche as artists and erudite female companions.By 1800, being a geisha was considered a female occupation (though there are still a handful of male geisha working today).For sexual enjoyment and romantic attachment, men did not go to their wives, but to courtesans.Walled-in pleasure quarters known as yūkaku and within which yūjo ("play women") would be classified and licensed.Profile of geiko Kimiha from Miyagawacho, wearing a formal black kimono (tomesode) and a Shimada-styled nihongami wig. All these are details which clearly distinguish her from a maiko (an apprentice).are traditional Japanese female entertainers who act as hostesses.

The ideal wife was a modest mother and manager of the home; by Confucian custom love had secondary importance.The early Shikomi (in-training) and Minarai (learns by watching) stages of geisha training lasted for years (shikomi) and months (minarai) respectively, which is significantly longer than in contemporary times.A girl is often a shikomi for up to a year while the modern minarai period is simply one month.Eventually, the gaudy Oiran began to fall out of fashion, becoming less popular than the chic ("iki") and modern geisha.Prostitution was legal up until the 1900s (decade), so it was practiced in many quarters throughout Japan.On average, Tokyo apprentices (who typically begin at 18) are slightly older than their Kyoto counterparts (who usually start at 15).Historically, geisha often began the earliest stages of their training at a very young age, sometimes as early as 6 years old.The dances were called "kabuki", and this was the beginning of kabuki theater.These pleasure quarters quickly became glamorous entertainment centers, offering more than sex.The highest yūjo class was the geisha's predecessor, called tayuu, a combination of actress and prostitute, originally playing on stages set in the dry Kamo riverbed in Kyoto.They performed erotic dances and skits, and this new art was dubbed kabuku, meaning "to be wild and outrageous".

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